I have been reading Girls reviews, critiques, and commentary for the last two weeks. And I can’t remember the last time there was SO much media hype for a single show, which inevitably comes with a media backlash. There has been a lot of great commentary here, including discussions of the problem inherent to the show’s universal title (from Kristen Warner) for a show clearly about a specific demographic: white, straight, educated, and privileged young women living in New York on their parents’ dime. This critique happens to be one I wholeheartedly agree with. But, there has also been a lot of misogynistic and bad commentary. And, while I didn’t particularly love the pilot, I didn’t hate it either. It was, like many a pilot before it and I imagine many a one after it, just fine.
However, what is not fine is the backlash from the Girls writers’ room, including Dunham’s “it’s not my fault” defense of the show’s whiteness. And the show is blindingly white. The only exceptions are the former intern turned publishing house employee who wants a Luna Bar and Smart Water, who is Asian, and the crazy old man at the end, who is Black, and I’m quite sure that Hannah (Dunham) passes ONE other Black man on the sidewalk in Brooklyn (right?) early in the episode. This is weird for a show with a claim to realism. I mean, I was recently in New York and in Brooklyn and it didn’t look like the white vacuum world of Girls. But whatever. The problem, rather than this not-realistic-NYC, is that Dunham proclaims her innocence as to the exclusion of people of color from the show—odd for a show that everyone else, and she’s not correcting them, seems to think that she has complete creative control over. This presumption of innocence, as Kristen Warner notes in her post on Girls (linked above), is particular to white women. That Dunham can insist on her lack of responsibility emphasizes that she is blithely unaware of her white privilege at the same time that she mobilizes that privilege.
Then, today! Today, Lesley Arfin (one of the Girls staff writers) tweeted this:
“@lesleyarfin: What really bothered me most about Precious was that there was no representation of ME.”