Welcome to Orphan Black Week on Girls Like Giants! We launched this discussion last week with a post on the patriarchal metaphor that structures the show. This week we’re featuring a series of “How To Be Awesome Like…” posts on the women of “clone club.” Next up, Sarah S. on Sarah Manning, the complicated central protagonist of Orphan Black.
Even though each of the clone characters on Orphan Black is played by Tatiana Maslany, Sarah Manning is the chief protagonist. Even when you realize you’re watching an “Alison” episode or a “Helena” episode, these plots always run alongside the main narrative centered around Sarah.
As viewers, Sarah is our entrée into the Orphan Black universe. Unlike her “sisters” Cosima, Alison, Beth, and even Helena, Sarah does not know what she is and so we discover the details alongside her. She is our touchstone for the entire narrative of clones, monitors, the corporate Dyad group, and the zealous Proletheans.
Sarah also develops substantially throughout the series. She begins a cynical grifter, only too willing to steal a dead woman’s life and enlist her long-suffering brother, Felix, into her schemes. Her reasons for these actions are ostensibly venerable: she wants to reconnect with her daughter, Kira, and escape her violent, druggy boyfriend. Yet the likelihood that she will succeed in these goals remains dubious. If Sarah really wanted to parent Kira, she would be parenting her, not leaving Kira with the woman who raised Felix and Sarah, Mrs. S. Her shadowy origins have made Sarah rootless, shiftless, untrusting, and untrustworthy. No wonder Felix rolls his eyes and Mrs. S. vows not to relinquish Kira.
But everything changes once Sarah finds herself not only assuming the identity of a cop who could be her identical twin but also discovering that she’s one of several clones. Most notably, when the going gets hard, Sarah cowgirls up. So here is how to be awesome like Sarah Manning.