I watch a lot of TV. Like a lot. Thus, I was excited to put together this list, which did prove quite hard as there is a lot of fun TV out there right now. Anyway, as I made this list, I realized that all my favorite shows feature amazing leading ladies (both on and off-screen). This top five (perhaps save for PLL) is in no order in particular.
1) Pretty Little Liars
PLL continues its reign in my top spot. I realize this is not a 2012 show BUT last season was so good. It included such gems as a Psycho-esque season finale, a Rear Window reference, and Jenna regaining her sight in the best femme fatale scene ever. Oh and then there is Mona … the best villainess ever.
2) The Mindy Project
I was sold by the preview and the pilot. There is something so hilarious and charming about the Mindy Project and its hilarious and pretty awesome (and very pretty) heroine. I love Mindy’s spacey and craziness, but also that she has this super successful and amazing career. Most recently, we saw sadly that her new boyfriend turned out to be a jerk, but the highlight of the episode was how great her friends were afterwards. Basically, The Mindy Project is delightful and snarky simultaneously.
Firstly, welcome back Tami Taylor! I mean, Connie Britton! You are the best. Secondly, Nashville premiered this week on ABC–a show we at GLG have been super-excited about since the upfronts came out. So we wanted to take a little time to ponder the new series, its leading ladies, and its representation of the South.
What did you think about the Nashville pilot?
Phoebe B: I enjoyed it in part because I sort of love country music and really adore Connie Britton. I am also intrigued by the politics side of things, which appear ridden with mystery and corruption and family drama. I also was intrigued by what seem to be a criticism of youth culture in the music industry and the ways in which female musicians, for example Rayna (Connie Britton), are pushed out in favor of autotune and youth. I also worry, however, about the women in competition with each other aspect but also the show seems to figure that competition as perpetuated by the men of the music industry. Basically, I am excited for more Nashville but also wary of certain aspects of it.
Sarah T: As a fellow lover of Connie Britton and of Nashville (pretty much my entire paternal side of the family lives there), I’m rooting for this show to knock my cowboy boots off. So far I like, but do not love it — but hey, it’s only one episode! The show’s original music is great, and I’m excited to see the relationship and rivalry between the two female leads develop. I am also somewhat confused about whether or not Nashville owes Country Strong a cut of its royalties, since it has the exact same plot minus the older star’s alcoholism. And there are no baby birds in boxes. YET.
Chelsea B: Like both of you, I mostly watched because I adore Connie Britton and had my fingers crossed that her Nashville character would just be Tami Taylor in sequins and with a slightly different drawl. Rayna wasn’t quite that, but she also wasn’t a total disappointment. I also am bummed that the central storyline revolves around building competition between two female leads. I comfort myself (as a long-professed Taylor Swift anti-fan) by imagining that Hayden Panettiere’s character, Juliette Barnes, is actually a direct portrayal of Taylor Swift, despite claims to the contrary. I’m also into the political intrigue, even though Rayna’s daddy issues driving a lot of that conflict are already a bit wearisome. And I’m totally with you on the Country Strong comparison, ST! Leighton Meester could only have improved this show.
Rebound is a new short-form GLG column that seeks to respond to, critique, and ask questions about current media events and affairs. –Phoebe & Sarah T.
On Sunday night, GCB premiered on ABC following the network’s self-proclaimed original “it girls,” the desperate housewives. GCB is one of two new shows that invoke, but do not proclaim, the word “bitch” in their title. The other show being, Don’t Trust the B— in apartment 23.
the ladies of GCB
GCB is all about post-high school mean girls in Dallas, TX and the grudges these ladies carry.* GCB seemingly revels in and produces humor via women being cruel to other women and reliving the icky cliques of high school. And, it is all about women competing for, and being paranoid about losing, their men—a narrative that always pits women against each other and blames women for the choices men make. The use of “B” as a stand-in for “bitch” in the title seems to suggest that the show revels in, and glamorizes, this mean behavior. Indeed, behaving like a “bitch” is seemingly the bread and butter of GCB.
However, the title’s juxtaposition of “Good Christian” with “bitches” suggests the underlying, and humorous, tension of the show. Indeed, the pilot pokes fun at the not-so-Christian undercurrents of this church community. For example, one of the most pious characters secretly owns a Hooters style bar, but she chastises one of the other ladies for working there (before her ownership is publicly revealed that is). And in this way, the show is quite funny and aptly timed—given Christian groups self-proclaimed righteousness and current attacks, in the name of Jesus, on women’s health and LGBTQQI teens. So, I see the point of the title and I like the juxtaposition of good and bad within it. But, I worry and I wonder about the invocation and use of the word “bitch.”
Last year, I watched The Bachelorette and it was my first foray into any Bachelor-related programming. Truth be told, I loved it and watched the Ashley season religiously. Sometimes I even yelled at the TV, as if I was watching football, when Ashley fell for that terrible Bentley dude or made other odd choices. Plus, Ben F. who proposed to Ashley only to be rejected in favor of J.P (which was seemingly the right choice for her) was totally my favorite: a winemaker from Sonoma, outdoorsy, funny, and adorable. In case you can’t tell, I had a bit of a TV crush on him (in good company with real people like Ben Folds, Shawn Stockman, and David Boreanaz; and characters like Smash Williams and Tim Riggins, and quite a few others). Thus, when I heard that he was the new Bachelor, I thought I would certainly watch his season. And then, I saw this ad.
And I thought maybe not. And then Sarah T. asked me this question: “is it possible that The Bachelor is super-sexist and misogynistic while The Bachelorette is relatively progressive?” And I thought, yes it does seem that way. Although I am not too quick to label The Bachelorette as progressive, in the wake of these ads, The Bachelorette looks more and more like a mini dash of not horribly regressive TV. The thing about The Bachelorette, for me at least, is that it fulfills a certain kind of fantasy in which a bunch of very attractive and reasonably interesting (not all the time) people vie for my, I mean The Bachelorette’s, attention. And at least in Ashley’s season, the drama surrounded the choices she made, rather than drama between the guys (perhaps save for the crazy masked Jeff, remember him?). The show did not rely on the men being mean to each other in order to create the primary drama, nor did the advertisements showcase a guy crying. This choice, it seems, is due to gendered expectations and notions of what The Bachelorette audience might find appealing. Continue reading
ABC’s soapy new drama Revenge begins with a quote from Confucius: “Before you embark on a journey of revenge, dig two graves.” That is good advice, Confucius! One for your enemy, one for your other enemy, right? Time-saving.
Oh. Maybe that’s not what he meant.
Revenge takes melodrama very seriously. It is surprising that there’s no straight-up cackling, but maybe next episode. The gist: as an innocent young girl and future sociopath, Amanda vacationed at the Hamptons with her father. There, they had an adorable golden retriever puppy named Sammy. (The dog isn’t a super-important plot point, but Sammy was really cute.) They seemed like a very happy family, and all was well… until the rich family next door, the Graysons—along with some co-conspirators—framed Amanda’s dad for involvement in a terrorist plot.
Some years laters, Amanda (Emily Vancamp) returns to that same house in the Hamptons under the alias Emily Thorne. She knows now that her father was innocent, but he can’t be set free. He died in prison when she was 18. Thanks to her father’s early investment in a tech start-up that’s now worth a bundle, she’s got all the money she needs to fund her mission in life: revenge against the Graysons and everyone else who brought her family down. Just for starters, in the course of the pilot, she exposes an affair, gives a guy a fake heart-attack, gets a secretary who gave false testimony about her dad exiled from the Hamptons, and starts seducing the Grayson son, Daniel. So, she’s pretty busy.
Emily, hard at work on the mortal vindication front
Revenge stories tend to show how all-consuming it is to plot the downfall of other people. This makes total sense to me, because revenge looks like a lot of work. If it’s your main purpose in life, you don’t really have time to hold down a day job or go on a Match date or take a relaxing trip to the country. Continue reading