Connie Britton’s Not a Late Bloomer–She’s Just In Bloom

Sarah T.

I learned several important facts about Connie Britton in her new Times profile. First, she has a 2-year-old son named Eyob who she adopted from Ethiopia. Second, her hair is as beautiful in real life as it is on TV. (Sigh.) I also learned that Britton is over 40—she’s 45, as a matter of fact. There was no way for me to miss this last fact, because the article could not stop talking about her age.

What’s interesting about the article’s age obsession is that it isn’t actually ageist. Writer Susan Dominus sets out to talk about how popular culture portrays women who are 40-plus, and how Britton is fighting back against those tropes. She writes that as Britton read early reviews of her new show Nashville,

She was particularly concerned about the way her character was being positioned — Connie Britton, playing an “aging country-music star,” a phrase she started seeing in countless blog posts and articles about the show

“I was like, the minute I’ve been referenced in writing as aging, I’m done,” she said. “I was furious about that.” She was also concerned about the plot, which early on had Jaymes on a downhill slide, losing ground to a young, blond crossover star played by Hayden Panettiere. That Britton of all people would be asked to play a character whose life seemed to fall apart at 40 struck her as almost perverse. “That’s not even who I represent as an actor,” she said, sitting back in her seat. “My life started being awesome five years ago.”

This is great stuff, right? Britton is not going to play your pesky little game, sexist culture that scares women into feeling old and unattractive and washed-up just because they get older, like all living things on this planet! (Seriously, the only alternative to getting older is being dead. These are our choices. Which is the cooler option, hmm, so hard to decide.) Anyway, Britton is having none of this ridiculousness. She’s hot and she knows it. She’s got a rocking career, a dedicated fan base, and–as the article takes care to point out–she’s not exactly hurting in the dating department.

And yet, Dominus winds up recreating some of the sexist tropes Britton is battling against in her own article. There’s the way she frames the star’s story in the first place: Britton as the late bloomer, the hard-working actress who lost out on a juicy role in Jerry Maguire and finally rose to fame almost 15 years later. “Connie Britton got over it a long time ago, the part that got away,” the profile begins.

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“Nashville”: This Town Ain’t Big Enough for the Both of Them. Or Is It?

Firstly, welcome back Tami Taylor! I mean, Connie Britton! You are the best. Secondly, Nashville premiered this week on ABC–a show we at GLG have been super-excited about since the upfronts came out. So we wanted to take a little time to ponder the new series, its leading ladies, and its representation of the South.

What did you think about the Nashville pilot?

Phoebe B: I enjoyed it in part because I sort of love country music and really adore Connie Britton. I am also intrigued by the politics side of things, which appear ridden with mystery and corruption and family drama. I also was intrigued by what seem to be a criticism of youth culture in the music industry and the ways in which female musicians, for example Rayna (Connie Britton), are pushed out in favor of autotune and youth. I also worry, however, about the women in competition with each other aspect but also the show seems to figure that competition as perpetuated by the men of the music industry. Basically, I am excited for more Nashville but also wary of certain aspects of it.

Sarah T: As a fellow lover of Connie Britton and of Nashville (pretty much my entire paternal side of the family lives there), I’m rooting for this show to knock my cowboy boots off. So far I like, but do not love it — but hey, it’s only one episode! The show’s original music is great, and I’m excited to see the relationship and rivalry between the two female leads develop. I am also somewhat confused about whether or not Nashville owes Country Strong a cut of its royalties, since it has the exact same plot minus the older star’s alcoholism. And there are no baby birds in boxes. YET.

Chelsea B: Like both of you, I mostly watched because I adore Connie Britton and had my fingers crossed that her Nashville character would just be Tami Taylor in sequins and with a slightly different drawl. Rayna wasn’t quite that, but she also wasn’t a total disappointment. I also am bummed that the central storyline revolves around building competition between two female leads. I comfort myself (as a long-professed Taylor Swift anti-fan) by imagining that Hayden Panettiere’s character, Juliette Barnes, is actually a direct portrayal of Taylor Swift, despite claims to the contrary. I’m also into the political intrigue, even though Rayna’s daddy issues driving a lot of that conflict are already a bit wearisome. And I’m totally with you on the Country Strong comparison, ST! Leighton Meester could only have improved this show.

Fall TV Upfronts: The Cliff’s Notes

Upfront season has come and gone, like a mysterious stranger who really wants to talk to you about dystopias and dating in the big city. Below, Phoebe and Sarah chat about a few notable shows heading to a television/Hulu near you this fall. What’s your take?

The Mindy Project, Fox

Sarah T: I am torn here. Mindy Kaling is really funny — I liked Is Everybody Hanging Out Without Me (And Other Concerns) — and I dig the idea of her as a single, fun-loving OB/GYN in the big city. But the trailer makes the show look as if it’s going to embrace a pretty mainstream rom-com idea about What Women Want, you know what I mean? Like there’s going to be a lot of jokes about buying shoes and the impossibility of having it all. And that is fine, I guess, but I have higher hopes for Kaling. (Although her comedic persona is kind of about doing a twist on those tropes, so maybe this is actually what I should have expected.) Anyway, I’ll definitely give at least the pilot a shot, if only to see how many sparkly dresses she can wear in one episode.

Phoebe: I am intrigued by Kaling’s show and actually thought the trailer was quite funny. I do see the potential pitfalls of embracing the mainstream romantic comedy situation, but at least the preview felt like it was super self-conscious about its genre and will play with it, which could be quite fun and intriguing. And dating when you work a lot, in a city and in general, is hilarious and weird and hard and I think this show might be a fun take on it. Plus, Kaling is running her own show!