People have a right to feel offended by Lena Dunham’s recent New Yorker column, “Quiz: A Dog or My Jewish Boyfriend.” But to focus solely on the question of whether or not it’s offensive is to ignore knottier and more nuanced issues.
The Anti-Defamation League has condemned the article for relying on anti-Semitic stereotypes. (Dunham’s theoretically humorous quiz includes such descriptions as, “He doesn’t tip. And he never brings his wallet anywhere.”) New Yorker editor David Remnick rose to Dunham’s defense, arguing that as a Jewish woman she is operating within a longstanding tradition of insider humor and self-deprecation as typified by artists like Sarah Silverman, Lenny Bruce and Philip Roth. Bloggers and Twitterati are taking sides.
Although I found Dunham’s humor piece neither upsetting nor funny, I’m sympathetic to both sides of the debate. (I’m also a white, Jewish, middle-class woman, for what it’s worth.) It’s true that some of her jokes reference harmful stereotypes about Jewish people–and men in particular–as miserly, coddled and physically weak. And I understand why the ADL is troubled by the historical implications of equating a Jewish person with a dog.
Like Remnick, however, I think Dunham’s status as a member of the tribe informs the piece. Even if her jokes fail to land, it seems likely that she intended it as an affectionate send-up of her own culture. (Part of the problem may be, as Phoebe points out, that Dunham fails to extend this brand of insider humor to herself–the quiz mocks the “Jewish boyfriend” but avoids self-scrutiny.)
But far more interesting to me than the issue of whether the column is inappropriate is the critical conversation it has spurred about American Judaism and cultural specificity. Read the rest of this entry »